{"id":199,"date":"2020-03-27T16:07:13","date_gmt":"2020-03-27T16:07:13","guid":{"rendered":"http:\/\/endogene.fr\/?p=199"},"modified":"2020-05-17T16:31:40","modified_gmt":"2020-05-17T16:31:40","slug":"supplements-dames-supplement-of-souls","status":"publish","type":"post","link":"http:\/\/emmanuellesarrouy.com\/?p=199","title":{"rendered":"Suppl\u00e9ments d&rsquo;\u00e2mes \/ Supplement of Souls"},"content":{"rendered":"\n<p>Suppl\u00e9ments d&rsquo;\u00e2mes est une \u0153uvre qui de fa\u00e7on tr\u00e8s contemporaine \nallie plusieurs disciplines artistiques : la litt\u00e9rature, la danse et \nl&rsquo;art vid\u00e9o. C&rsquo;est d&rsquo;abord un texte \u00e9voquant comment un corps peut \nporter et revendiquer une id\u00e9e et la sublimer. Ensuite, c&rsquo;est par la \ndanse que cette id\u00e9e est incarn\u00e9e : dans la p\u00e9nombre, une danseuse qui \nn&rsquo;est visible que par la projection vid\u00e9o d&rsquo;images sur son corps. Des \nimages de trac\u00e9s lumineux qui virevoltent pour dessiner sa silhouette en\n mouvement. Et cr\u00e9er une vision po\u00e9tique et magique.<\/p>\n\n\n\n<p>Exposer, projeter, c&rsquo;est mettre en avant, jeter avec force au devant \nde soi. Mettre en action, en mouvement dans un espace\/temps qui devient \n\u00ab\u00a0autre\u00a0\u00bb et permet par sa transformation d'\u00a0\u00bbenvisager autrement\u00a0\u00bb. Le \nportrait et ses multiples facettes, comme une performance de nos miroirs\n intimes pour dire le monde autrement. Il y a cette id\u00e9e que nous \npoursuivons, chacun \u00e0 notre mani\u00e8re, de creuser, chercher dans le \nmouvement, les corps, la mati\u00e8re et la lumi\u00e8re notre part d&rsquo;humanit\u00e9 (en\n perp\u00e9tuel devenir). R\u00e9sistante, persistante, brillante.<\/p>\n\n\n\n<p>\u00ab\u00a0L&rsquo;\u00e9motion cr\u00e9atrice qui soulevait ces \u00e2mes privil\u00e9gi\u00e9es,<br>\net qui \u00e9tait un d\u00e9bordement de vitalit\u00e9, s&rsquo;est r\u00e9pandue autour d&rsquo;elles :<br>\nenthousiastes, elles rayonnaient un enthousiasme<br>\nqui ne s&rsquo;est jamais compl\u00e8tement \u00e9teint et qui peut toujours retrouver sa flamme.\u00a0\u00bb<br>\nHenri Bergson in \u00ab\u00a0Les Deux Sources de la morale et de la religion\u00a0\u00bb, 1932<\/p>\n\n\n\n<p><em>Supplements of souls is a work which in a very contemporary way  allies several artistic disciplines : the literature, the dance and the  video art. It is at first a text evoking how a body can carry and claim  an idea and sublimate it. Then, it is by the dance that this idea is  embodied : in the half-shade, a dancer who is visible only by the video  projection of images on her body. Images of bright rays of light which  spin to draw her silhouette in movement. And create a poetic and magic  vision.<\/em><\/p>\n\n\n\n<p><em>To expose, intend, it is to put forward, to throw with strength to  the front of oneself. Put into action, in movement in a space\/time which  becomes \u00ab\u00a0other\u00a0\u00bb and allows by its processing \u00a0\u00bb to consider differently  \u00ab\u00a0. The portrait and its multiple facets, as a performance of our  intimate mirrors to say the world differently.<br> There is this idea which we pursue, each in our own way, to dig, to look  in the movement, the bodies, the matter and the light our part of  humanity (in perpetual a becoming). Resistant, persistent, brilliant.<\/em><\/p>\n\n\n\n<p><em>\u00ab\u00a0The creative emotion which raised these privileged souls, and which  was an overflowing of vitality, spread around them : Enthusiasts, them  shone an enthusiasm which went out never completely and which can always  find its flame.\u00a0\u00bb<br> Henri Bergson in \u00ab\u00a0Both Sources of the morality and the religion\u00a0\u00bb, 1932<\/em><\/p>\n\n\n\n<p><strong><em>Experimental \/ Performance, 20&prime;<\/em><\/strong><br>Mise en sc\u00e8ne : Jean-Paul Nogu\u00e8s\u201a<br>Chor\u00e9graphie et danse : Emilie Garetier\u201a<br>Vid\u00e9o projet\u00e9e sur corps, texte et animation lettrage : Emmanuelle Sarrouy<br>Directeur de la photographie : J\u00e9r\u00f4me Olivier<br>Ing\u00e9nieur du son : Fr\u00e9d\u00e9ric Salles<br>Cr\u00e9ation 2014 @ Collectif Endog\u00e8ne<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/vimeo.com\/156970588\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/endogene.fr\/wp-content\/uploads\/2020\/03\/ruines-traces-chemins_2.jpg\" alt=\"\" class=\"wp-image-200\" width=\"400\" height=\"709\"\/><\/a><figcaption>cr\u00e9ation 2014 \u00a9 emmanuelle sarrouy<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Suppl\u00e9ments d&rsquo;\u00e2mes est une \u0153uvre qui de fa\u00e7on tr\u00e8s contemporaine allie plusieurs disciplines artistiques : la litt\u00e9rature, la danse et l&rsquo;art vid\u00e9o. C&rsquo;est d&rsquo;abord un texte \u00e9voquant comment un corps peut porter et revendiquer une id\u00e9e et la sublimer. Ensuite, c&rsquo;est par la danse que cette id\u00e9e est incarn\u00e9e : dans la p\u00e9nombre, une danseuse &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/emmanuellesarrouy.com\/?p=199\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;Suppl\u00e9ments d&rsquo;\u00e2mes \/ Supplement of Souls&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[27,22,19],"_links":{"self":[{"href":"http:\/\/emmanuellesarrouy.com\/index.php?rest_route=\/wp\/v2\/posts\/199"}],"collection":[{"href":"http:\/\/emmanuellesarrouy.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/emmanuellesarrouy.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/emmanuellesarrouy.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/emmanuellesarrouy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=199"}],"version-history":[{"count":4,"href":"http:\/\/emmanuellesarrouy.com\/index.php?rest_route=\/wp\/v2\/posts\/199\/revisions"}],"predecessor-version":[{"id":442,"href":"http:\/\/emmanuellesarrouy.com\/index.php?rest_route=\/wp\/v2\/posts\/199\/revisions\/442"}],"wp:attachment":[{"href":"http:\/\/emmanuellesarrouy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=199"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/emmanuellesarrouy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=199"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/emmanuellesarrouy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=199"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}